BLOGGER, CARTOONIST, CYCLIST, BEARD OWNER & NORTHMAN

DESCENDED FROM NORSE KINGS & NORMAN INVADERS

Sunday, 30 November 2025

THE WILL TO RETURN: TRADING TWO WHEELS FOR THE BUS

fter three weeks of forced rest following my accident, I had determined that getting back to work had to happen, even if I was nowhere near 100%. Making the leap back to routine was less a sprint and more of a tentative hobble. On Thursday (27th), my bike—still out of action after the RTC—was replaced. I traded two wheels for a slightly daunting ride on public transport.

Saturday, 22 November 2025

ULLR'S ICY GRIP: FROM SORE TO SWORDS

he temperature is dropping swiftly, and the frosty fingers of Ullr are touching every corner of our land. It’s exactly the kind of cold evening I love—but I find myself tragically trapped indoors by injury. I miss that simple ritual: wrapping up warm, grabbing my dog, and heading out into the dark, chilly night. This feeling of confinement is a powerful reminder that our journey through this cold and dark time of year is only just beginning.

Friday, 14 November 2025

DOWN IN A SPLIT SECOND: THE CRASH

n Wednesday 5th November, I left work on my bike to ride home. Some had expressed concern about the potential for issues, with youths known for throwing fireworks, but I wasn't deterred—this wasn't my first rodeo. So, at 10 pm, I rode into the night.

Monday, 10 November 2025

THE CURSE OF THE CYCLING STEREOTYPE

very November's arrival signals a few things, chief among them the start of the festive season preparations. At work, this translates into two key activities: planning the annual team party (since we're decentralised, every team manages their own event) and, perhaps more notoriously, navigating the annual Secret Santa. For me, this usually means an inevitable delivery of beard products or yet another cycling mug. Is that really all there is to me?

Saturday, 8 November 2025

TELEVISION: SUBSTANCE OVER SPECTACLE

​eality television simply isn’t my thing. I’ve perfected the cynical eye-roll whenever anyone mentions a new series set in a villa or a cast member from the Essex gang. My viewing loyalty is reserved for compelling narratives: gritty dramas, classic comedies, or—best of all—the witty, quick-fire brilliance of a comedy panel show or a clever sci-fi escape. These are the only programmes that truly earn a dedicated spot on my schedule. I seek substance, not spectacle.